Previous events
The project aims to explore various forms of music publishing beyond the release of songs as such.
The first event took place in the Tic cinema, where a short performance took place before entering the hall where the audience could listen to songs from the May ' n' Linn in New York EP.
The term "delulu" comes from the K-pop music sphere (circa 2015), where it was used to refer to fans who adored their unattainable idols in an unhealthy way. The term has since spread on social media, where it has become a lifestyle alongside many others. In our view, today, it has transformed into mainly two spectrums - manifestation and idealization. In the manifestation sense, the delulu feels an awareness towards "reality" and merely behaves and believes the way they want their life to be, whereas with idealization, reality can be rejected and circled in the same problem with a puzzling reluctance to get out of it. This realisation is then embodied into songs.
@delusionlandia
Previous events
Net Worth is a narrative speculative documentary whose fictional story focuses on the intertwining of several characters who have different relationships with the area - they have jobs here, are sent on a research mission, and want to invest or spend their free time here. The video uses fictional and speculative narrative modes to describe the commercial and political interests affecting the shape of the territory itself, as well as the conditions for cohabitation and interspecies relations. The territory becomes a factor that influences spatial planning processes through its properties. Another level is the merging of humans with brain-computer interface technology (in the Synapse Pro video), which illustrates the deepening of profit-oriented technocratic growth.
The project was created in collaboration with Tamara Spalajković and Jakub Daněk.
he's trying to figure out what's this weird relationship between men and a dog all about.
Breck Coleman 2018
Breck Coleman 2021
Direction: Adam Smrekovský
A portrayal of a representative of Gen Z, set on the periphery of a Central European metropolis, who doesn’t want to be part of a neoliberal society. He chooses an unconventional way to gain independence from the system by returning lost dogs in exchange for reward money from people who don’t have time for them, because all their effort is given to their careers.
My take on La Planete Sauvage (1979)